The Great Gatsby

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The Great Gatsby: The Basics

The Great Gatsby is a tale of luxury, lust, deceit, and murder. In Long Island, NY, Nick Carraway lives next door to the mysterious Jay Gatsby—owner of a huge mansion and host of frequent and lavish parties. Although prohibition has made alcohol illegal, Gatsby always has a surplus available at his wild social gatherings. As Nick starts to spend more time with Gatsby, he begins to learn about the man’s past, strange profession, and love for Nick’s cousin, Daisy. The story that unfolds truly highlights the scandalous and risky nature of the Roaring Twenties.

To achieve a greater level of basic understanding of the novel, you may want to look at:

Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 2004
Bloom, Harold. F. Scott Fitzgerald’s The Great Gatsby. Infobase, 2006.

F. Scott Fitzgerald: His Life as Portrayed in The Great Gatsby

F. Scott Fitzgerald is considered one of the greatest American writers of the twentieth century. He was born in the Midwest and began writing at a relatively young age. He fell in love in his twenties, but his romantic interest would not be convinced to marry him until he achieved financial success. Only after he gained fame and fortune did she agree. He lived a life of extravagance and died quite young at the age of 44. Some critics assert that Fitzgerald included many autobiographical elements in many of his works, including The Great Gatsby.

A great deal of the adulterous and scandalous behavior described in The Great Gatsby was reflective of Fitzgerald’s personal life at the time in which he wrote the novel. Fitzgerald was living lavishly, throwing parties and indulging frequently with his wife, Zelda, who was also involved with another man. This, in addition to F. Scott’s flirtatious conduct with women, put pressure on their relationship. This type of relationship is portrayed in the novel via Tom and Daisy Buchanan, as Daisy and Gatsby become involved.

For more information on Fitzgerald’s life or how it may relate to his novel, you can read:

Bruccoli, Matthew J., and Scottie Fitzgerald. Smith. Some Sort of Epic Grandeur: the Life of F. Scott Fitzgerald. University of South Carolina, 2002.
Willet, Erika. “Biographies: F. Scott Fitzgerald and the American Dream.”, 28 Oct. 2011,

The Great Gatsby and Symbolism: What’s with the Green Light?

In the novel, Gatsby has a constant fixation with a green light across the water from his mansion. The light creates desire, hope, and motivation, and becomes a symbol for Gatsby’s love for Daisy. This sense of drive and yearning can be found in many of the characters in the novel, and the color green resonates in many aspects of their lives. It can be argued that this “desire to achieve” is both universal and timeless, allowing critics and readers to relate more closely to the novel and its characters.

The color green also brings to mind money and greed; perhaps the desire to achieve is fueled by the yearning and pressure from society to become rich. Money held a prominent place in society in the 1920s, as it provided the means to distinguish status and the lavish lifestyle that so many idolized. Additionally, green conjures thoughts of envy and jealousy, feelings which are on full display both in Jay Gatsby and Tom Buchanan. Colorful symbolism in The Great Gatsby feeds itself—ambition is driven by jealousy, which is driven by money and greed.

For a closer look at the green light, check out:

Ornstein, Robert. “Scott Fitzgerald’s Fable of East and West.” College English, vol. 18, no. 3, 1956, pp. 139-43. JSTOR,
Rimer, Sara. “‘The Great Gatsby’ Resonates with Urban Adolescents.” The New York Times, 7 Nov. 2008,

Morality in The Great Gatsby

Many of the characters in The Great Gatsby live opulent, free-wheeling and sometimes wild lives. They are greedy, lustful, vengeful, and, as some critics would argue, immoral. The question of ethics runs rampant through the pages of Gatsby, and provides a commentary on American society in the 1920s. Values, particularly with regards to wealth, are skewed towards favoring wealth and status. Each character in the novel demonstrates a different set of values and seems to be in various stages of personal moral development.

Almost every character in the book lies to the other characters or lives an entire sham of a life. There is little concern for the repercussions of these lies or other immoral actions in general. In a sense, dishonesty sometimes makes characters more appealing in The Great Gatsby. Gatsby’s commitment to his false life draws in characters and readers alike.

To learn more about Gatsby’s ethics or Kohlberg’s stages of Moral Development:

McAdams, Tony. “‘The Great Gatsby’ as a Business Ethics Inquiry.” Journal of Business Ethics, vol. 12, no. 8, 1993, pp. 653-60. JSTOR, 
Crain, W.C. “Kohlberg’s Stages of Moral Development.” Theories of Development. Prentice Hall, 1985, pp. 118-36.

The Great Gatsby: Society and Economic Disparity in the 1920s

The Roaring Twenties bring to mind flappers, parties, speakeasies, prohibition, and eventually the Great Depression. People wanted to live glamorous lives and have a chance to be a part of the upper echelons of society. Taking advantage of wealth and status seemed to be the best way to accomplish any variety of objectives. The novel’s title character exemplifies a true understanding of America’s obsession with money and the country’s economic disparity; after all, he assumed his new identity in order to rise above his former status and become accepted as a member of the exclusive upper-class. What does this say about the materialism of Gatsby’s world? What is it all really worth in the end?

Gatsby himself had to work around the law (and potentially ethics) in order to fabricate his new life in New York and have a fresh start. He incessantly tries to meet higher levels of materialistic expectations in order to impress Daisy, and eventually this need to impress others leads to his murder at his lavish home. Concern for money and objects is all-consuming and fails to bring satisfaction, happiness, or internal prosperity to the characters of the novel.

To gain more perspective on the effect of the Roaring Twenties on The Great Gatsby, read:

Godden, Richard. “‘The Great Gatsby’: Glamor on the Turn.” Journal of American Studies, vol. 16, no. 3, 1982, pp. 343-71. JSTOR,
Weinstein, Arnold. “Fiction as Greatness: The Case of Gatsby.” NOVEL: A Forum on Fiction, vol. 19, no. 1, 1985, pp. 22-38. JSTOR, 

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